I always enjoy talking and writing about great film music. Having grown up on the Spielberg/Williams collaborations, I certainly like when the score plays a central role in a film. (Side note: Spielberg always kept John Williams close when developing and creating movies, which I believe is why Williams creates such thematic and compelling scores)
I recently went and saw Jurassic World. It lived up to expectations, especially from the music end. I was very appreciative of how Michael Giacchino worked in the original themes, as well as created some new ones...it was very tastefully done. I really really liked when the piano quietly played the original theme while the kids were discovering the old visitor center--a very poignant moment. My second favorite part of the score was when the creepiness of the raptors was accompanied by a trombone (with straight mute I think) playing a dissonant melody...if you can call it a melody.
I recently heard a Giacchino interview on NPR that was enlightening as to how he developed his style of composition. He apparently used to take a cassette tape recorder into Spielberg movies and record the audio then listen to it over and over. I can certainly relate to this in the sheer amount that I listened the Lord of the Rings soundtrack a LOT when I was younger. It's safe to say that Howard Shore definitely influenced my composition. This incessant listening also explains why I always felt a familiarity in Giacchino's scores (especially in Super 8...great movie btw).
I'm also appreciative of the fact that Giacchino makes use of the woodwind section. These days that seems to be left out of many "summer blockbuster" scores...which sucks, because woodwind add such a rich color and are so flexible for melodic content (here's a reason why composers might be using them less).
I'm excited to see what else the summer holds for my symphonic and cinematic loving ears..
The musings of a composer that also band directs!! ... or maybe it's the other way around..