As an earlier post described my exploration of places to sell my commercial music, I've now been exploring my options to sell my instrumental and choral music, easily getting them in the hands of teachers and musicians. And this discussion brings me to the excitement of the post..

Recently, I Googled "sell PDFs online," just curious if there were platforms that existed. Fortunately for me, there are a TON of places to sell digital goods online. Now, these services are more for selling ebooks and such, but it totally works for selling music as well. I had contemplated using Paypal and just sending people music individually, but this takes the work off my shoulders. These third-party companies host my  pieces and take care of the payment as well. After some research, I decided to go with Selz.com because there is no annual price, they just take a small cut of the profit (commission based). This will help in the times where I don't actually sell music..

So the great thing is that I can take care of everything on my laptop, from the comfort of my favorite coffee shop.. and it's summer and I have more time to write. I remember back in college wondering how I might brave the world of trying to get signed on with a publisher, and now I don't really need to. I obviously won't have the backing of a big company, but I own all of my own music and my copyrights. Years ago, I remember Eric Whitacre commenting on the benefits of owning your own copyrights, I now truly understand why that is a benefit. 

So soon I'll have a bustling marketplace of sheet music to add to my commercial tunes! Time to write!

Tis' the season for band directors across the country to put together a marching band show for the upcoming fall. This also means it is the season I am glued to my computer for many hours putting together arrangements. This post is actually a bit of procrastination as I need a break from Sibelius at the moment. 

I figured I would give some tips for band directors in order to get the best out of your show/arrangements.

1) First, you have to decide where you want to go for music. Obviously, you can go the stock arrangement route, but with that direction, you get what you get and you just have to make it work (stock arrangements help when $$ is an issue). For my purposes today however, let's say you chose to hire an arranger. 

2) Pick a show concept. These days, most directors are going to want to pick something simple, yet effective. For a competitive show example, think something like "Darkness to Light." This concept works for many shows because you have the structure and concept built in and the audience/judges always know what's going on. If you're not worried about competing, maybe you want to tie together some popular tunes from the radio and come up with a clever title. 

Also, know your audience. I think it's best to find a show that directors/staff, parents/students, audiences (at home and at competitions/festivals), and judges will find enjoyable. You may want to pop in the DVD from last year's Grand Nationals to get ideas... you also may want to Youtube some entertaining college bands. When picking a concept, you definitely want to weigh in all possibilities. 

3) Once you've got a concept, think about how you want the show to progress. You always want to think about creating effective moments.. essentially how all music works. It's always going somewhere. In marching band, those moments tend to be the fff moments. I suggest making a timeline (like film directors will make a storyboard) of what you want to have happen. Include music and visual things you want to be happening at all the moments. Then, start picking pieces or parts of pieces that fit into the timeline. 

**Note: When choosing music, remember that anything published after around 1920, you'll most likely need to obtain the rights to. Check out Tresona Music for more info. It's also a great place to take care of all your licensing needs.*** 

Finding Public Domain pieces can help with the $$ situation if you can work them into the show. Also, this is a great way to expose your students to some of the classics!!!!!

4) Know your strengths and weaknesses. Give specific information to the arranger so that they arrange for YOUR group (this is why it's helpful to foot the bill for an arranger as opposed to stock music.. you can get the music tailored to your ensemble!). Also, in terms of show design, think about where you might like to feature certain sections. Choose music that allows you to do this. 

5) Once your get your arrangements, don't be afraid to play around with it. A huge difference between Concert Band Festivals and Marching Band Festivals is that you don't have to submit scores to the judges in marching band (...maybe we should have to?). So, make your group sound good. If your first trumpets frack that high A every time.. take it out. If you'd like to know how to tweak a show, just watch a drum corps rehearse. Watch how much changes from the beginning of the summer to the end.. it's a lot. 

Also, if the vision didn't come across the way you intended. Make some changes to fix it. Hopefully, you've got an arranger that can rewrite a couple bars if necessary ..I know I've done this a good bit :)

For most band directors, this post is probably stuff you already know. Hopefully, it helps somebody out there! Good luck with the next season!!!

Lately I've been pondering how much I wished I had tagged along with my friends that used to build computers in my middle/high school years (back in the late 90's, early 2000's). I say this because those skills and the importance of knowing the nuts and bolts of technology and computing came to me WAY too late in life. If I knew then what I know now...

For example, designing my first website was an absolute nightmare. The only reason I have this website up and running as nicely as I do is thanks to www.weebly.com (if you're looking for an extremely easy to make a website, check it out!) Without this, I don't know that my website would be worth much of anything. The would of coding and HTML and CSS is just scary and looks quite foreign to me..

I would benefit SO much from being a bit more savvy with building a website, creating online tools, and just coding in general. One of the hardest things these days is to get my music out there. The would is literally a click away, but there has to be something compelling enough to click (i.e. a cool video). I truly never knew that computing would be so important...I can't say this enough. 

Because I can't exclaim the importance enough, I go off on this in band class all the time. Kids should be learning coding. I can only imagine what the electronic world will look like in 10 years (just read Ready Player One, great but somewhat scary read). I tell my students that whatever profession they choose, mine clearly being educating and composing, having an intense knowledge of the language of computers is sure to give a significant advantage. 

Enter Code Academy. I've already started learning. My recommendation is for everybody to start learning. Where the "coders" are always going to make many user-friendly ways to interact with the web, I think it'd be better to go ahead and learn how to code for yourself. I remember having to edit some HTML once, it was awful. Based of that experience, everyone should go learn how to code. 

So, where coding has absolutely nothing to do with composing music...it actually has everything to do with being a successful composer. Kinda weird how that works.

This post is going to be be a bit different than the rest of the posts on this blog. It is geared much more towards being a composer in this contemporary age of music production/composition. This will also be by far my longest post as of yet. 

Here Goes:

In June, I finally found my way into a profitable medium and outlet for all of my Logic Pro X composing. I've spent a lot of time over the past 5 years adapting and developing my craft using Logic. I was originally classically trained as a composer, but have ALWAYS enjoyed listening to film music and also really enjoy music production. For I while I thought that it was just a fun little hobby, and most of the tunes I wrote in Logic didn't go anywhere and I didn't use them for anything. That has all COMPLETELY CHANGED.

I discovered a couple of Stock Media Sites (I use them for sync-licensing music) called Pond5 and Audiojungle (these are the two that I focus on the most because I've found them to be most easy to use and most profitable). 

Click Here for my Pond5 Portfolio if you're curious how it looks

Below are some tunes from my Audiojungle page. 

These sites have been just what I've been looking for!! I'm able to cook up a variety of different tunes and upload them for media makers to buy. It's actually a very easy process and writing music in a DAW like Logic Pro, Pro Tools, Cubase, etc streamlines the writing (differences from Sibelius/Finale will be another post). I'm a total fan of these websites because I've been able to get my music out to people who would have no access to my stuff. 

Here's my process: I get surf these websites and find what seems to be the most in-demand style (at least of the styles I can/am willing to write). If you checked out my Pond5 page, you noticed that it's full of "suspense" and "epic action" and "epic drumming" music. Well, aside from the fact these are fun to write, its what people are purchasing. I really can't believe that as of now (2014), one of my "Rising Suspense" clips has sold about 40 times. It literally took me 30 minutes to write (granted its only 15 seconds long). 

My next step is how to get my tunes to the top of the lists, where people are regularly purchasing my music. This is the hard part because I can't really find a whole lot of consistency. For example, I wrote at tune called "Film Noir," and it sold 10 times in two weeks! Awesome! So I wrote another one. It has sold a grand total of zero times. I decided not to write a 3rd tune in that style. 

I also find myself reading how to optimize key word searches, getting friends to get me some views, and honestly just churning out more tunes. I figure the more tunes up there, the more likely they are to be found. The best part about sync-licensing music is that once I upload it, I'm done with that tune. 

Needless to say, this is a very exciting development in my composition career...the first step from changing it from a hobby to an actual job. If nothing else, I now have funding for my music projects and samples. It can be hard finding my way into this world of professional composing. I do love it and I'm interested to see where I can take this lifelong passion. Happy Composing!

I clearly am a fan of John Williams' music. I love how he's brought so many people who wouldn't be orchestral/classical music lovers to the concert hall (even if it started in a movie theater). Now, I would like to rave about the music for the new Star Wars trailer. For most people, its all about the story, or characters, or special effects, or action, etc... For me, it's all about the music. The first cluster of tones (in the strings) takes us back to those early Stravinsky-esque scenes of which R2 D2 and C3PO wandered the deserts of Tatooine. 

Then we get some action music like only a John Williams score can deliver: melodically and harmonically compelling, but I love the orchestration. I love the interplay between the brass, strings, woodwinds (I ESPECIALLY LOVE TO HEAR WOODWINDS SINCE SO MANY FILM COMPOSERS SEEM TO ONLY WRITE FOR CELLOS AND BRASS.........), and percussion. Top to bottom, it is an exciting orchestral epic, just as epic as the trailer itself. The music is compelling in an era of generic trailer music (which I love, but generic nonetheless). 

When the Millennium Falcon flies out, we are obviously slammed with the Force Theme, the quintessential melody of the franchise. I'm sure many, many people probably cheered at that moment..I did. I'm so very excited to hear the score for Episode VII...in fact, I may see it a second time and just close my eyes and listen.